Yaaruda Mahesh: Problematic but Subversive (not the other way)

I'm not all that active in social media and I have no memory of catching a glimpse of the supposedly fervent promos for the film Yaaruda Mahesh. I got to know of the film through Tamil Talkies review in youtube (one of the only people I check out regularly). He mentioned something about 'Vadivel' Balaji and 'Robo' Shankar being funny in the film. I've liked both guys in spite of their occasionally insipid humour and sexual innuendo on television. In fact, I've grown to like that humour because it was high time that that part of the 'Tamil culture' is given a space in mainstream media. It's markedly sexist, crass and simply male -- the kind relegated to bars and (men's) Hostel Day skits. But its existence needed to be acknowledged by wider audience.

After watching the entire film twice the same day, I felt that this segment alone more or less sums up the director's intent. He wanted to make people laugh, let loose and in the process break a lot of rules that have come to define Tamil humour in films (but not elsewhere). He just wanted to string up a series of sketches with a fairly well conceived script (a model comparable to the Scary Movie series). Obviously many of the idiots who didn't like the film were complaining about how 'things didn't make any sense'. I don't think they got it. I'm even more convinced of that when I read a few reviews that refer to 'Vadivel' Balaji as transgendered. Fuck me!

Anyway, this scene starts with Shiva looking for Mahesh (read the story in Wikipedia). He enters a house where he's greeted by a middle aged woman ('Vadivel' Balaji). They start of with some exchange that's somewhat relevant to the script and quickly move on to a sketch even before 'Robo' Shankar enters the scene. (Part of it, as it turns out, has already been done once in Vijay TV.) It's not unlike those of Goundamani+Senthil or Vadivelu, but it's largely self-citational and even meta. That is, the humour is embedded in the fact the audience knows these people are from television and they know what they're going to do. It's funny because we know the woman is a man and nobody on screen is alluding to that. It's funny because they don't care how obscure their pop-culture reference is. It's funny because the impersonations are unoriginal, predictable and hence recursive - probably the best kind. I could not have picked another scene to illustrate how the film tried its best to be not taken seriously; that the 'film' is to carry the humour and not the other way.

Another area where they've pushed the boundaries liberally is with one of Indian cinema's oldest follies - dubbing. To my knowledge Goundamani was the first person to exploit it with ease. The guys in YM have dubbed the film with the least attention to lip-synching and more to mocking the scene. The characters, especially Jagan, seem to have a lot to say when they're not facing the camera than when they are. It's like watching the film with the characters themselves. You pass a few comments and they pass a few, everyone's happy.

Then comes the sexually laced dialogues that run throughout the film. Now, the so called double-meaning dialogues are not new to Tamil films but it's how coy these guys have been is what stands out the most. The guys in the film want to have sex, so do the girls. No shame, no guilt. There's the scene in which the guy is probably fondling the girl's vagina and says "kallu sooda irukku?" (lit: the griddle is hot) and girl just smiles in agreement (it's in reference to a very popular 'adult joke' that I've heard when I was 8). To me this is de-perversion of human genitals in a sexual context. It's the treatment that makes the difference. I would even suggest that this goes a long way in the normalization of sex as as a recurring act of pleasure in one's life (as opposed to a milestone). I find the arguments that this is crass and problematic puritanical (cultural, feminist or whatever the basis is). The supposed damage caused by such expressions are far outweighed by the benefits [1]. It's time that both men and women participated in 'vulgar' exchanges in public. They actually do, in lower income communities. The elites have English. It's the bloody middle class that doesn't seem to know what to allow into their living rooms.

Granted there are several pitfalls/problems with the film (ex: one could argue why abortion was never thought of as an option - wink, wink) but I'm willing to let them slide. A film like American Pie or Road Trip may not have contributed much to Hollywood but I really believe that Yaaruda Mahesh has to Tamil cinema. We'll see the evidence in the films that follow. If anything, I hope that film-makers say 'Fuck you' to the Censor Board and just go with the A certificate. To hell with the 'family audience' and their children.

After watching Yaaruda Mahesh I found Soodhu Kavvum to be really slow and didn't have enough laughs. It's debatable as to whether laughter is the latter's promised deliverable. It probably isn't, but I'll say it anyway. It wasn't as funny. Tamil cinema may have its need for irony, but it needs blunt and unapologetic transgressiveness more than anything else. Yaaruda Mahesh tries to address that need in its own little way.

In general, there's reason to be optimistic about Tamil cinema, it seems [2].


Notes:

1. This films underscores how bad the film Boys was, it's the quintessential definition of vulgarity.
2. Will try to expand on few other films that I watched recently.

21 comments:

divya.1901 said...

Nice to hve u back after a long time

Anonymous said...

First time i am hearing about this movie. Must make a point to watch it.
Quick question, Sujatha from Podbazaar must be too busy with her kids that she shut the site completely down. Where shall thee be able to reminisce such glorious podcast as "mahabaratham pesukirathu" and so on?

Mayuran

Anonymous said...

//After watching the entire film twice the same day,//
//2. Will try to expand on few other films that I watched recently//

It seems that u have enough time to share with bloggers...!!!

Suresh said...

Mayuran: 'Glorious'? Right.
I'll try to put them all together in a torrent anyway. (Or upload it in some file sharing site.)

Anon: Oh sure, time was never an issue. It's interest, patience etc.

Anonymous said...

“Glorious…”, elaam oru flow-la vanthirichu 

Watched the movie and liked it. There were a lot of “not Tamil movie” about this movie I agree. However, Soodhu Kavvum was funny, specially the police guy getting his arse on fire and his reaction (facial) to that bullet going off, even I felt faintish, perfect title would be “Sooth-thu-kavvum” .

‘…..vulgar' exchanges in public………” eempaa?
Middleclass Mathavan speaking here…
Let’s take it outside of Chennai, such relaxation goes beyond just between friends and onto the issue of “respect” (lack of it) in the living room. Lack of understanding on where, the word, “limit” starts with and ends from, will make things turn south with parents alike. This would wrongly be blamed as “generation gap” rather than just an expectations of good upbringing. Common use of vulgarity would be detrimental to bringing up cultured and good nurtured individuals. Such introduction would also be much to the annoyance to our female kind.

Mayuran

Singara Velan Chinnaiyan said...

Kindly upload the mahabaratham pesukirathu podcast and others too if possible.

Anonymous said...

lol, you're such a weirdo and i mean that in a quite value neutral way. yaaruda mahesh was horrible, but your defense of the movie had more entertainment value.

Suresh said...

"yaaruda mahesh was horrible" -- hmm, donkey how know camphor smell? tell? (But of course, donkey knowing camphor smell also no use.)

Anonymous said...

yaaruda mahesh was utterly unwatchable. It had not a single redeeming value.

Anonymous said...

I have a doubt. While I think I understand where you're coming from when you say that dialogues like "dosa kallu sooda irukku" do their bit to rid sex of the taboo that surrounds it, don't such lines commodify women? I can think of thousands of men who watch the scene, and get subconsciously motivated to think of women as sexual objects; not that they aren't already.
"Otha, gaaju pudichchava!" will probably be a resonant thought across the minds of many men.
Perhaps some other line in its place may be more sensitive or sensible than the 'dosa kallu' line which is usually used as a joke amid men, one that simply looks at a woman as a subject for sexual gratification. Couldn't some other line not be used to indicate that the couple in question are open to discussing sex?

Suresh said...

^ - yappa, aala udra saami!

Anonymous said...

Thappa edhavadhu sollirundhaa mannichidu, boss. Thoninadha sonnen. Adha paruppu thanamaavum sollala nu dhaan nenaikkaren.

Suresh said...

It's not your tone. Re-read paragraph 5 until...well, you disagree with yourself.

Anonymous said...

Read it again. I'm not saying that it should all be kept hush-hush. I hope you didn't understand my comment to mean that.
I just think that there're better, less contrived, less problematic lines to use in such a situation to achieve the 'deperversion of human genitals', as you so well put it.

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